Fragments of an Autobiography

A stormbound carriage on the Lüneburger Haide supplies Felix Moscheles with an early memory, one he later connects with Schubert's music and Rubinstein's playing. His recollections begin among concert tours, family travels and the household respect accorded to his father's composing. Small incidents carry much of the character: a portable keyboard for practising on the road, or a hotel neighbour whose slow piano playing prompts an unexpected visit from a professional.

Moscheles presents these memories as loosely arranged fragments, with friendship as their guiding interest. His father follows the sound of music through unfamiliar towns, introducing himself to fellow musicians, while his mother protects the peace needed for his work. A later scene at a crowded Paris celebration brings arguments about art and warfare alongside Jeanne's quick response when people are in danger. Readers interested in nineteenth-century musical and artistic life will find personal scenes, remembered conversation and close attention to the habits of the people Moscheles knew.