The Autobiography of a Play

A play changes shape between a writer's first draft and its life on stage, and Bronson Howard follows that process through his own work. Originally delivered to Harvard University's Shakspere Club, this account traces a piece produced in Chicago in 1873, revised for New York five years later, and adapted to English characters and circumstances for London in 1879. The focus is the practical craft of dramatic construction, explained through decisions made during revision.

Howard examines how an altered ending can require changes throughout a story, including its emotional balance and moral purpose. His discussion also makes room for managers, actors and other advisers in the making of a finished play. Augustus Thomas's introduction adds a portrait of Howard's patient working habits and attention to spoken dialogue. Readers interested in writing for the stage will find a concrete account of how character, structure and audience feeling guide revision.