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The Ridin’ Kid from Powder River
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The Ridin' Kid from Powder River
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  • Published: January 1, 1919
  • Pages: 314
  • Genre: History

The Ridin’ Kid from Powder River

Henry Herbert Knibbs

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The Ridin’ Kid from Powder River is a Western novel by Henry Herbert Knibbs, originally published in 1919. Knibbs, who lived from 1874 to 1945, was an American writer and poet who produced a substantial body of Western fiction and verse during the first decades of the twentieth century when the Western genre was establishing itself as one of the central forms of American popular literature.

The novel belongs to the classic Western tradition that had been developed by Owen Wister, Zane Grey, and various other early twentieth century writers and that drew on the rapidly receding actual history of the late nineteenth century American West for its setting and material. The Powder River country of the title refers to the high plains region of northeastern Wyoming and southeastern Montana, an area that had been the scene of significant late nineteenth century cattle ranching and Indian wars and that had become a staple location for early twentieth century Western fiction.

The central character is a young man known as the Ridin’ Kid, a skilled cowboy whose various adventures provide the structure of the novel. The plot involves the typical Western ingredients of the period including ranch life, cattle work, encounters with various dangerous characters including rustlers and outlaws, romance with a young woman whose family is connected to the broader story, and the kind of physical action and demonstrations of riding and shooting skill that the genre conventions required. Knibbs handles the material with the workmanlike competence that distinguished the better commercial Western fiction of the period from the more pedestrian examples.

Knibbs had spent substantial time in the American West and brought to his fiction a personal knowledge of the country, the work, and the kinds of people who populated his novels. His prose has the unfussy directness that the Western tradition favoured, and his dialogue captures the speech patterns of the cowboy world he was writing about with reasonable accuracy. He was also a serious Western poet alongside his fiction, with several volumes of Western verse published during the same period as his novels.

The novel runs about three hundred pages and reads quickly. For readers interested in early twentieth century American Western fiction, this is a representative example by one of the more substantial practitioners of the genre. It pairs naturally with Knibbs’s other Western novels and with the work of his contemporaries Zane Grey and B M Bower.

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