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Bibliograf�a
Bibliografía
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Berger, J.: Ways of Seeing. New York: Viking Press, 1972.
Bergquist, J. W.: The Use of Compiters in Educating Both Halves of the Brain. Proceedings: Eighth Annual Seminar for Directors of Academic Computational Services, agosto 1977. P. O. Box 1036, La Cañada, Calif.
Bogen, J. E.: «The Other Side of the Brain». Bulletin of the Los Angeles Neurological Societies 34 (1969): 73-105.
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U. C. L. A. Educator 17 (1975): 24-32.
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Buzan, T.: Use Both Sides of Your Brain. New York: E. P. Dutton, 1976.
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Corballis, M., and I. Beale: The Psychology of Left and Right. Hillsdale, N. J.: Lawrence Eribaum Associates, 1976.
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Edwards, B.: «Anxiety and Drawing». Master’s thesis, California State University at Northridge, 1972.
«An Experiment in Perceptual Skills in Drawing». Ph. dissertation, University of California, Los Angeles, 1976. Edwards, B., and D.
Narikawa: Art, Grades Four to Six. Los Angeles: Instructional Objectives Exchange, 1974. Ernst, M.: Beyond Painting. Translated by D. Tanning.
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Ferguson, M.: The Brain Revolution. New York: Taplinger Publishing, 1973.
Flam, J.: Matisse on Art. New York: Phaidon, 1973.
Franck, F.: The Zen of Seeing. New York: Alfred A. Knopf, 1973.
Franco, L., and R. W. Sperry: «Hemisphere Lateralization for Cognitive Processing of Geometry», Neuropsychologia, 1977, vol. 15, 107-14.
Friend, D.: Composition: A Painter’s Guide to Basic Problems and Solutions. New York: Watson-Guptill Publications, 1975.
Gardner, H.: The Shattered Mind: The Person After Damage. New York: Alfred A. Knopof, 1975.
Gazzaniga, M.: «The Spiit Brain in Man». In Perception: Mechanisms andModeis, edited by R. Held and W. Richards, p. 33. San Francisco, Calif: W. H. Freeman, 1972.
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Goldstein, N.: The Art of Responsive Drawing. Englewood Clifis, N. J.: Prentice-Hall, 1973.
Gregory, R. L.: Eye and Brain: The Psychology of Seeing. 2nd ed., rev. New York: McGraw-Hill, 1973.
Grosser, M.: The Painter’s Eye. New York: Holt, Rinehart and Winston, 1951.
Hadamard, J.: An Essay on the Psychology of Invention in the Mathematical Field. Princeton, N. J.: Princeton University Press, 1945.
Hall, E. T.: The Silent Language. Garden City, N. Y.: Doubleday, 1959.
Henri, R.: The Art Spirít. Philadelphia, Pa.: J. B. Lippincott, 1923.
Herrigel, E. Quoted in The Joy of Drawing. London: The OakTree Press, 1961.
Hill, E.: The Language of Drawing. Englewood Cliffs, N. J.: Prentice-Hall, 1966.
Hockney, D.: David Hockney, edited by N. Stangos. New York: Harry N.
Abrams, 1976. Huxley, A.: The Art of Seeing. New York: Harper and Brother, 1942.
The Doors of Perception. New York: Harper and Row, 1954.
James, W.: The Varieties of Religious Experience. New York: Longmans, Green, 1902.
Jaynes, J.: The Origin of Consciousness in the Breakdown of the Bicameral Mind. Bostón: Houghton Mifflin, 1976.
Jung, C. G.: Man and His Symbols. Garden City, N. Y.: Doubleday, 1964.
Kipling, R.: RudyardKipling’s Verse. London: Hodder & Stoughton, 1927.
Koestler, A.: The Sieepwaikers. London: Nutchinson, 1959.
Krishnamurti, J.: The Awakening of Intelligence. New York: Harper and Row, 1973.
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Lindaman, E. B.: Thinking in Future Tense. Nashville; Broadman Press, 1978.
Lindstrom, M.: Children’s Art: A Study of Normal Development in Children’s Modes of Visucalization. Berkeley, Calif: University of California Press, 1957.
Lord, J. A.: Giacometti Portrait. New York: Museum of Modern Art, 1965.
Lowenfeld, V.: Creative and Mental Growth. New York: Macmillan, 1947.
Matisse, H.: Notes d’unpeintre. In La grande revue. París, 1908.
McFee, J.: Preparation for Art. San Francisco, Calif.: Wadsworth Publishing, 1961.
McKim, R.: Experiences in Visual Thinking. Monterey, Calif.: Brooks/Cole Publishing, 1972.
Nicolaides, K.: The Natural Way to Draw. Bostón: Houghton Mifflin, 1941.
Ornstein, R.: The Psychology of Consciousness. 2nd ed., rev. New York: Harcourt Brace Jovanovich, 1977.
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Paivio, A.: Imagery and Verbal Processes. New York: Holt, Rinehart and Winston, 1971.
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Pascal, B.: Pensées: Thoughts on Religión and Other Objects, edited by H. S. Thayer and E. B. Thayer. New York: Washington Square Press, 1965.
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Pirsig, R.: Zen and the Art of Motorcycle de Maintenance. New York: William Morrow, 1974.
Ponomarev, L.: In Quest of the Quantum. Translated by N. Weinstein.
Moscow: Mir Publishers, 1973.
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Shepard, R. N.: Visual Learning. Thinking, and Communication, edited by B. S. Randhawa and W. E. Coffman. New York: Academic Press, 1978.
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—: «Lateral Specialization of Cerebral Function in the Surgically Separated Hemispheres», in F. J. McGuigan and R. A. Schoonover, eds., The Psychophysiology of Thinking, N. Y., Academic Press, 1973, 209-29.
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Stein, G.: Picasso. London: B. T. Bastsford, 1938.
Suzuki, D.: «Satori». In The Gospel According to Zen, edited by R. Sohl and A. Carr. New York: New American Library, 1970.
Tart, C. T.: «Putting the Pieces Together». In Alternate States of Consciousness, edted by N. E. Zinberg, 204-06. New York: Macmillan, 1977.
—: States of Consciousness. New York: E. P. Dutton, 1975.
Taylor, J.: Design and Expression in the Visual Arts. New York: Dover Publications, 1964. Walter, W. G.: The Living Brain. New York: W. W. Norton, 1963.
Wittrock, M. C., et al.: The Human Brain. Englewood Clifls, New Jersey: Prentice-Hall, Inc., 1977.
Zaidel, E., and R. Sperry: «Memory Impairment after Commisurotomy in Man». Brain 97 (1974): 263-72.
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