An Introduction to the Study of Browning

Arthur Symons approaches Robert Browning through the range of his interests and the individuality of his poetic voices. This critical introduction begins with the poet's general characteristics, considering how dramatic invention, philosophical thought and a concern for personal moral choices work together. Symons writes as an admirer, but his prefaces also explain the practical purpose of the book: helping readers understand Browning's works and recognize their strengths.

The discussion then turns to individual poems and plays. In the section on In a Balcony, Symons outlines the tension between Norbert, Constance and the Queen, then studies their motives and the movement from dialogue toward monologue. A bibliography, early prefaces and an index to poems give the volume a reference function alongside its criticism. Readers interested in Browning's dramatic method can follow a critic connecting particular scenes with broader ideas about character, feeling and form.