Conversations with Friends

Sally Rooney · Chapter 4 of 31

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Conversations with Friends

Chapter 4

Bobbi was going out to dinner with her father on Thursday, so we offered Philip the spare ticket to the play. Philip kept asking if we were going to have to talk to Nick afterwards, and I didn’t know. I doubted if he would come out especially to talk to us, so I said I was sure we could just leave as usual. Philip had never met Nick but had seen him on TV and considered his looks ‘intimidating’. He asked me a lot of questions about what Nick was like in real life, none of which I felt qualified to answer. When we bought the programme, Philip leafed straight to the actor bios and showed me Nick’s photograph. In the dim light it was really just an outline of a face.

Look at his jaw, he said.

Yeah, I see it.

The lights came up onstage, and the actress playing Maggie came on and started yelling in a Southern accent. It wasn’t a bad accent, but it still felt like an actor’s accent. She got out of her dress and stood there in a white slip, like Elizabeth Taylor’s white slip in the film, though this actress looked both less artificial and also somehow less convincing. I could see a care label bunched inside the seam of the slip she was wearing, which destroyed the effect of reality for me, although the slip and its care label were undoubtedly themselves real. I concluded that some kinds of reality have an unrealistic effect, which made me think of the theorist Jean Baudrillard, though I had never read his books and these were probably not the issues his writing addressed.

Finally Nick appeared, out of a door on stage left, buttoning up a shirt. I felt a sting of self-consciousness, as if the audience had all turned at this moment to observe my reaction. He looked very different onstage, and spoke in an unrecognisably different voice.

His manner was cool and detached in a way that suggested

sexual brutality. I breathed in and out through my mouth several times, and wet my lips repeatedly with my tongue. The production in general was not very good. The other actors had off-key accents and everything onstage looked like a prop waiting to be handled. In a way this just emphasised how spectacularly beautiful Nick was, and made his misery seem more authentic.

When we came out of the theatre it was raining again. I felt pure and tiny like a newborn baby. Philip put up his umbrella and we walked toward his bus stop while I sort of grinned manically at nothing and touched my own hair a lot.

That was interesting, Philip said.

I thought Nick was probably a lot better than the other actors.

Yeah, it was stressful, wasn’t it? But he was pretty good.

I laughed much too loudly at this remark and then stopped when I realised nothing about it was funny. A light, cool rain feathered the umbrella and I tried to think of something interesting to say about the weather.

He is handsome, I heard myself saying.

To an almost off-putting extent.

We reached Philip’s bus stop and had a short discussion about which of us should take the umbrella. In the end I took it. It was raining heavily and getting dark. I wanted to talk more about the play but I could see Philip’s bus was about to pull in. I knew he wouldn’t want to talk much more about the play anyway, but I still felt disappointed. He started counting out his fare and said he’d see me tomorrow. I walked back to my apartment on my own.

When I got inside I left the umbrella by the courtyard door and opened up my laptop to look at Nick’s email address. I felt I should send him a short thank-you message for the tickets, but I kept getting distracted by items in the room, like a Toulouse-Lautrec poster I had hanging above the fireplace and a particular smudge on the patio window. I got up and walked around for a while to think about it. I cleaned the smudge with a damp cloth and then made a cup of tea. I considered calling Bobbi to talk about whether it would be normal to send an email or not, but I remembered she was with her father. I wrote a sample message, and then deleted

the draft in case I might accidentally hit send. Then I wrote the same thing over again.

I sat staring at my laptop screen until it went black. Things matter to me more than they do to normal people, I thought. I need to relax and let things go. I should experiment with drugs. These thoughts were not unusual for me. I put Astral Weeks on the stereo in the living room and slumped right onto the floor to listen.

Though I was trying not to dwell on the play, I found myself thinking about Nick onstage yelling: I don’t want to lean on your shoulder, I want my crutch. I wondered if Philip was similarly preoccupied, or was this more private. I need to be fun and likeable, I thought. A fun person would send a thank-you email.

I got up and typed a brief message congratulating Nick on his performance and expressing gratitude for the tickets. I moved the sentences here and there, and then seemingly at random I hit the send button. Afterwards I shut my laptop and went back to sitting on the floor.

I was expecting to hear from Bobbi about her dinner with Jerry and eventually, after the album was finished, she did call. I was still sitting slumped against the wall when I answered the phone.

Bobbi’s father was a high-ranking civil servant in the Department of Health. She did not apply her otherwise rigorous anti-establishment principles to her relationship with Jerry, or at least not with any consistency. He’d taken her to a very expensive restaurant for dinner and they’d had three courses with wine.

He’s just trying to emphasise that I’m an adult member of the family now, Bobbi said. And he takes me seriously, blah blah blah.

How’s your mother holding up?

Oh, it’s migraine season again. We’re all tiptoeing around like fucking Trappist monks. How was the play?

Nick was really good, actually, I said.

Oh, that’s a relief. I felt like it might be terrible.

No, it was. Sorry, I remember your question now. The play was bad.

Bobbi hummed a kind of tuneless piece of music to herself and offered no further remark.

Remember last time we visited their house, and afterwards you said you thought they were like, unhappily married? I said. What made you say that?

I just thought Melissa seemed depressed.

But why, because of their marriage?

Well, don’t you find Nick sort of hostile toward her? said Bobbi.

No. Do you?

The first time we went over there, remember he went around scowling at us and then he yelled at her about feeding the dog?

And we could hear them arguing when we went to bed?

Now that she said that, I did remember perceiving a certain animosity between them on that occasion, though I didn’t accept that he had yelled.

Was she there? Bobbi said. At the play?

No. Well, I don’t know, we didn’t see her.

She doesn’t like Tennessee Williams anyway. She finds him mannered.

I could hear that Bobbi said this with an ironic smile, because she was aware that she was showing off. I was jealous, but I also felt that because I had seen the play I was party to something Bobbi didn’t know about. She still saw Nick as a background figure, with no significance other than as Melissa’s husband. If I told her that I had just sent him an email thanking him for the tickets, she wouldn’t understand that I was showing off too, because to her Nick was just a function of Melissa’s unhappiness, and uninteresting in his own right. It seemed unlikely she would see the play now, and I couldn’t think of any other way to impress her with Nick’s personal significance. When I mentioned that he was planning to come and see us perform sometime soon, she just asked if that meant Melissa would come too.

Nick replied to my email the next afternoon in all lower case, thanking me for coming to the play and asking when Bobbi and I were next performing. He said they were running a show in the Royal every night and matinees at weekends so he would almost certainly miss our set unless it started sometime after half ten. I told him I would see what I could do, but not to worry if he couldn’t

make it. He replied saying: oh well, it wouldn’t be very reciprocal then, would it?