Music Notation and Terminology by Karl Wilson Gehrkens, book cover
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Music Notation and Terminology

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Read by Kara Shallenberg (1969-2023), Patrick Wells, Miriam Esther Goldman (1991-2017) and others · 6 h 26 min · 27 parts

  1. 00- Preface

    5:27

  2. 01- Some Principles of Correct Notation

    9:55

  3. 02- Symbols of Music Defined

    9:04

  4. 03- Symbols of Music Defined (continued)

    8:54

  5. 04- Abbreviations, Signs, etc.

    8:02

  6. 05- Abbreviations, Signs, etc. (continued)

    14:32

  7. 06- Embellishments

    9:47

  8. 07- Scales

    14:10

  9. 08- Scales (continued)

    20:11

  10. 09- Auxillary Words and Endings

    8:39

  11. 10- Measure

    9:46

  12. 11- Tempo

    9:12

  13. 12- Tempo (continued)

    11:42

  14. 13- Dynamics

    15:53

  15. 14- Terms Relating to Forms and Styles

    11:14

  16. 15- Terms Relating to Forms and Styles (continued)

    21:15

  17. 16- Terms Relating to Vocal Music

    15:01

  18. 17- Rhythm, Melody, Harmony and Intervals

    13:29

  19. 18- Chords, Cadences, etc.

    13:25

  20. 19- Miscellaneous Terms

    13:28

  21. 20- Miscellaneous Terms (continued)

    9:37

  22. 21- Appendix A- The History of Music Notation

    26:16

  23. 22- Appendix B- Musical Instruments

    35:51

  24. 23- Appendix C- Acoustics

    14:40

  25. 24- Appendix D- Terminology Reform

    24:02

  26. 25- Appendix E- Analysis of Beethoven Sonata, Op. 31, No. 3

    8:43

  27. 26- Pronouncing Index

    24:03

Music Notation and Terminology (1914) is a public domain work.

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About this book

Reading a score involves a vocabulary as well as a set of symbols. In this 1914 handbook, Karl Wilson Gehrkens brings those two parts of musical study together for students and prospective teachers. The chapters move from note stems, clefs and accidentals to scales, tempo, dynamics and musical forms. Definitions sit alongside explanations of word origins, with attention to the spelling and pronunciation a teacher needs when explaining a term.

The discussion of intervals shows the book's method in detail. Gehrkens distinguishes the number assigned to an interval from its specific quality, then uses examples in half-steps and whole-steps to explain the difference. Appendices extend the reference material to instruments, acoustics and the history of notation, while a pronouncing index supports classroom use. Readers studying music today can use it to examine how written signs, technical language and the relationships between pitches fit together.

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Book facts

Reading time
About 3 hours
Pages
252
Language
English
Formats
PDF, EPUB, Read online, Audiobook
Audio read by
Kara Shallenberg (1969-2023), Patrick Wells, Miriam Esther Goldman (1991-2017) and others