The Pianoforte Sonata by J. S. Shedlock, book cover
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The Pianoforte Sonata

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First published
1895
Pages
115
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Read by Jordan Watts · 6 h 26 min · 12 parts

  1. Preface

    2:30

  2. Introductory

    63:38

  3. Johann Kuhnau

    49:59

  4. Bernardo Pasquini: A Contemporary of J. Kuhnau

    17:53

  5. Emanuel Bach and some of his Contemporaries

    43:35

  6. Haydn and Mozart

    30:34

  7. Predecessors of Beethoven

    46:16

  8. Ludwig van Beethoven

    53:24

  9. Two Contemporaries of Beethoven

    25:12

  10. Schumann, Chopin, Brahms, and Liszt

    21:17

  11. The Sonata in England

    23:25

  12. Modern Sonatas, Duet Sonatas, Sonatinas, etc.

    8:39

The Pianoforte Sonata (1895) is a public domain work.

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About this book

Keyboard music changes its shape as composers rethink what a sonata can contain. In this 1895 study, J. S. Shedlock follows those changes through musical history and close examination of individual works. His introduction explains the relationship between instrumental sonatas and dance suites, then considers how contrasting movements came to be grouped together. Kuhnau's keyboard sonata of 1695 provides a starting point for the book's main historical account.

Later chapters address Emanuel Bach, Haydn, Mozart, Beethoven and nineteenth-century composers, alongside the sonata in England. The discussion of Clementi shows Shedlock's method particularly clearly: he traces themes between movements, examines changes of key and compares the handling of musical ideas with Beethoven's. These technical observations make the book useful to readers who want to connect the history of piano composition with what they hear or play. Musical examples support an account concerned with structure, expression and the exchange of ideas between composers.

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Book facts

First published
1895
Reading time
About 4 hours
Pages
115
Language
English
Genre
Music
Formats
PDF, EPUB, Read online, Audiobook
Audio read by
Jordan Watts