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The Two Paths

by John Ruskin

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105
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Read by Todd Ulbrich, Mary Schneider, Michael Packard and others · 6 h 1 min · 16 parts

  1. 00 - Preface

    7:22

  2. 01 - Lecture I, part 1: The Deteriorative Power of Conventional Art Over Nations

    17:34

  3. 02 - Lecture I, part 2: The Deteriorative Power of Conventional Art Over Nations

    20:28

  4. 03 - Lecture I, part 3: The Deteriorative Power of Conventional Art Over Nations

    29:22

  5. 04 - Lecture II, part 1: The Unity of Art

    24:11

  6. 05 - Lecture II, part 2: The Unity of Art

    21:13

  7. 06 - Lecture III, part 1: Modern Manufacture and Design

    29:14

  8. 07 - Lecture III, part 2: Modern Manufacture and Design

    30:20

  9. 08 - Lecture IV, part 1: Influence of Imagination in Architecture

    22:12

  10. 09 - Lecture IV, part 2: Influence of Imagination in Architecture

    20:00

  11. 10 - Lecture IV, part 3: Influence of Imagination in Architecture

    24:15

  12. 11 - Lecture V, part 1: The Work of Iron, in Nature, Art and Policy

    22:15

  13. 12 - Lecture V, part 2: The Work of Iron, in Nature, Art and Policy

    21:23

  14. 13 - Lecture V, part 3: The Work of Iron, in Nature, Art and Policy

    34:47

  15. 14 - Appendices, part 1

    15:22

  16. 15 - Appendices, part 2

    21:46

The Two Paths (1859) is a public domain work.

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About this book

The skill of carving or painting living forms underlies John Ruskin's view of good design. His five lectures connect the study of art with decoration, manufacture and architecture, asking students to consider how practical work shapes their understanding of beauty. In the preface, he argues that an architect's grasp of proportion and colour depends on these skills. The opening lecture then considers how cottages and other human structures affect the experience of mountain landscapes in Scotland and the Alps.

Architectural imagination becomes the subject of a later discussion, where Ruskin challenges the demand for a fresh style suited to engines and telegraphs. He pictures elaborate structures of glass and iron while questioning whether novelty can satisfy creative ambition. Lectures on the unity of art and the work of iron extend the collection's concerns.

About the author

John Ruskin - BDeBooks
John Ruskin

John Ruskin (1819-1900) was the leading English art critic of the Victorian era and an influential social thinker whose ideas on art, labor, and society shaped movements from the Pre-Raphaelites to the welfare state.

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Book facts

Reading time
About 4 hours
Pages
105
Language
English
Genre
Essays
Formats
PDF, EPUB, Read online, Audiobook
Audio read by
Todd Ulbrich, Mary Schneider, Michael Packard and others