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Up the River

Downloads: Under 100
First published: 1881
Pages: 213

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Read by Stevan Simmons · 7 h 16 min · 31 parts

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00 - Preface
3:49
01 - In Captain Boomsby's Salon
15:28
02 - Four Thousand Dollars
12:44
03 - Adieu to the Boomsbys
16:13
04 - Nick Boomsby has Aspirations
14:21
05 - The Strange Movement of the Islander
13:35
06 - A Lively Chase
11:55
07 - A Fog off the Florida Coast
15:31
08 - A Port in a Storm
13:37
09 - A Visit from an Old Acquaintance
14:18
10 - Intelligence of the Islander
14:31
11 - Difficult Navigation
13:11
12 - The Calamity on French Reef
13:27
13 - A Night Lost in the Storm
12:52
14 - Looking for the Islander
13:45
15 - A Partial Solution of the Mystery
13:15
16 - Across the Gulf of Mexico
14:56
17 - The Sylvania in Ambush
14:40
18 - How Nick Boomsby managed his Case
15:36
19 - A Search for the Lost Treasure
13:55
20 - The Theory and the Facts
14:01
21 - Up the Mississippi
13:52
22 - The Islander in a Bad Fix
13:06
23 - An Embarrassing Situation
14:06
24 - A Crevasse on the Mississippi
14:38
25 - Sailing Across the Fields
13:38
26 - A Desperate Struggle with the Rushing Waters
13:20
27 - The Planter and his Family
14:32
28 - A Distinguished Passenger
15:14
29 - Up the River for many Days
14:58
30 - Up another River and Home Again
22:58

Up the River (1882) is a public domain work.

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About this book

Up the River is one of Oliver Optic's many novels for boys, working in the kind of riverine and nautical adventure territory that he used across multiple connected series. Oliver Optic was the pen name of William Taylor Adams, a Massachusetts writer who became one of the most prolific producers of boys' fiction in mid to late nineteenth century America. His total output runs into more than a hundred novels, and his various nautical and travel series took young protagonists across rivers, lakes, oceans, and the wider world.

The up the river premise points to the kind of river adventure that nineteenth century American boys' fiction often used as the structural anchor for its plotting. The American river system, with its complicated geography, its commercial traffic, and its specific dangers from snags, shifting channels, and the various human dangers along the banks, gave writers like Optic abundant material for adventure fiction that was educational as well as exciting. Whether the river in question is the Mississippi, the Ohio, the Hudson, or one of the smaller eastern rivers, the journey upriver gives the protagonists encounters with the various people and situations that the watercourse runs through.

The educational dimension of Optic's nautical fiction was significant. His readers, often boys who would themselves never travel any of the rivers and seas that his novels described, absorbed substantial geographic, commercial, and cultural information through the adventure plots. The detail about boats, river navigation, port operations, and the various trades that depended on water transport was rendered with the kind of accuracy that gave his books their particular value beyond just the entertainment.

Optic's prose is brisk and his action sequences move at the pace his young readers expected. The moral lessons about courage, loyalty, and the costs of choices are delivered through the narrative rather than imposed in lectures. Modern readers should be aware that the period assumptions about race, class, and the moral character of various peoples encountered in his travel novels are very much present in ways that have not aged well.

For scholars of nineteenth century American children's literature, of the dime novel and story paper traditions, or of the wider print culture that shaped American boyhood in the post Civil War decades, Optic's work is essential. Up the River is a representative entry in his nautical and travel fiction catalogue. Many of his books are now in the public domain.