Aesthetic as Science of Expression and General Linguistic
- Downloads
- Under 100
- First published
- 1900
- Pages
- 236
Listen to Aesthetic as Science of Expression and General Linguistic Audiobook Free
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Introduction
35:25 -
Intuition and Expression
31:30 -
Intuition and Art
26:58 -
Art and Philosophy
27:23 -
Historicism and Intellectualism in Aesthetic
18:58 -
Analogous Errors in Historic and in Logic
19:58 -
Theoretic and Practical Activity
19:02 -
Analogy Between the Theoretic and the Practical
15:46 -
Exclusion of Other Spiritual Forms
14:40 -
Indivisibility of Expression into Modes or Grades and Critique of Rhetoric
17:21 -
Aesthetic Feelings and the Distinction between the Beautiful and the Ugly
18:59 -
Critique of Aesthetic Hedonism
11:56 -
The Aesthetic of the Sympathetic and Pseudo-Aesthetic Concepts
16:19 -
The So-Called Physically Beautiful in Nature and in Art
25:09 -
Errors Arising from the Confusion between Physic and Aesthetic
17:48 -
The Activity of Externalization. Technique and the Theory of the Arts
18:29 -
Taste and the Reproduction of Art
25:17 -
The History of Literature and of Art
29:57 -
Conclusion: Identity of Linguistic and Aesthetic
31:15 -
Historical Summary, Part 1
30:54 -
Historical Summary, Part 2
25:18 -
Historical Summary, Part 3
28:52 -
Historical Summary, Part 4
33:54 -
Historical Summary, Part 5
27:05 -
Historical Summary, Part 6
28:06 -
Historical Summary, Part 7
24:16 -
Historical Summary, Part 8
27:57 -
Appendix, Part 1
28:00 -
Appendix, Part 2
28:45 -
Appendix, Part 3
6:00
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About this book
Art and language meet in Benedetto Croce's account of intuition and expression. This philosophical treatise, presented in Douglas Ainslie's 1909 English translation, develops its argument through chapters on artistic knowledge, form, taste, criticism, and the nature of speech. Ainslie's note explains that the theory is translated in full, while the historical section is shortened with the author's consent. A historical survey and an appended lecture widen the discussion beyond the main sequence of arguments.
One passage carefully distinguishes the work of a scholar, a person of taste, and a historian of art. For Croce, understanding a work and representing it historically require successive kinds of effort. Such distinctions give readers a way to examine what they mean when they judge a poem, painting, or other expression.
Contents
About the author
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Book facts
- Author
- Benedetto Croce
- First published
- 1900
- Reading time
- About 7 hours
- Pages
- 236
- Language
- English
- Genre
- Literature
- Formats
- PDF, EPUB, Read online, Audiobook
- Audio read by
- Lisa Reichert, KHand, Philip Panos and others