Confessions of Boyhood
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Confessions of Boyhood
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Confessions of Boyhood

John Albee

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Confessions of Boyhood is a memoir by John Albee, the American poet and writer who lived from 1833 to 1915. Albee was associated with the late phase of the New England Transcendentalist circle and was a friend of Henry David Thoreau and Ralph Waldo Emerson during the years when the Transcendentalist movement was in its mature period.

Albee grew up in New Hampshire and produced poetry, essays, and memoir alongside his various other professional activities across a long career. His Henry David Thoreau, the brief biographical and critical study of Thoreau that he produced in 1902, is one of the substantial first hand accounts of Thoreau from someone who had known him personally, and various of his other Transcendentalist memoirs are valuable sources for historians of the broader movement.

Confessions of Boyhood belongs to the substantial nineteenth century American autobiographical literature that took childhood and youth as its central subject. The genre had been substantially developed by writers including Henry David Thoreau himself in Walden, Henry Adams in The Education of Henry Adams, William Dean Howells in A Boy’s Town, and various other American writers whose autobiographical work focused substantially on the formation of the writer through childhood experience.

Albee draws on his New Hampshire boyhood for the substantial material of the memoir. The rural New England small town of the mid nineteenth century was one of the central settings of American autobiographical literature, with the characteristic pattern of village life, family relationships, schooling, religious observance, and the gradual broadening of the young person’s world through reading and through encounters with the substantial cultural and political life beyond the village all providing standard material for the genre.

The specific Albee contribution combines the standard New England boyhood material with his particular sensibility as a Transcendentalist adjacent poet. His memoir is more literary and more reflective than the more straightforwardly narrative boyhood memoirs that the period also produced in substantial quantity, and the various reflections on the meaning of childhood experience and on the substantial formation of adult character through youthful encounters give the book its particular quality.

The book is of interest now to readers of nineteenth century American autobiographical literature and of the broader New England Transcendentalist tradition. It pairs naturally with Albee’s other writings on Thoreau and with the substantial American boyhood memoir tradition.

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